Atemo never attended one of the traditional art Reyog Udeng Gilik in Hamlet Village Celan Trimurti, Srandakan district, Bantul regency. Art Reyog Udeng this Gilik created by a Yogyakarta palace courtiers who resides in Hamlet Celan. Art Reyog Udeng Gilik tells about the courage of a soldier who was fighting palace. After attending art Reyog Udeng Gilik Atemo that Mr Rono had the idea to create a traditional art in Hamlet Mangiran named Puppet Reyog traditional arts. Mr. Rono Atemo create this art serves not only to entertain people, but also to enliven the harvest time comes.
According to Mr. Adi a dancer as well as the elder Hamlet Mangiran, Reyog Puppet illustrates two rows of soldiers who will go to war. The number of dancers on Reyog Puppet is approximately 24 people, while the character is taken from the Ramayana and the Mahabharata story (interview, March 9, 2010). Figures - puppet figures are taken from the Ramayana story is Janaka - Cakil, (red monkey) - Buto, (blue monkey) - Buto, (green monkey) - Buto, (yellow monkey) - Buto, Hanuman - Kumbakarna. The figures - figures taken from the Mahabharata fiber is Burisrawa - Sentyaki, Ghatotkacha - Suteja, Antareja - Balarama. Grooming and clothing used in Puppet Reyog are similar to those worn in wayang wong. Rows in Reyog Puppet is equipped with Batak as pengarep figures, two figures penurung banner as the flag bearer and carrier of red and white flag, as well as four dancers carry banners. Figures Penthul Bejer although not included in the ranks but its existence is very important, because it serves to bring the song as a stuffing of dhodhog accompaniment. Reyog Art Wayang puppet tells of the battle scenes. Puppet Art Reyog this, first in the show is done by ditanggap nanggap / mbarang, or with a run to move - move from house to house offering to the people who wanted perceive the art. Place this Wayang performances Reyog done anywhere and anytime. For example in the field, on the home page, or customize the site as you wish.
The number of dancers can be reduced or increased according to need, the most important in this Puppet Reyog no main character or Pengarep Batak. Pengarep role in addition to leading the movement as well as leaders in the movement pattern of the floor.Direction of the floor patterns that the dancers will go through depends on the agreement between Pengarep Pengarep right and left.
b. Year period 1982 - 1986 (Phase 2)
Puppet Art Reyog this was down for the year 1980 - 1982, this happens because the dancers and arts leaders are working to find money for the necessities of life. There is work to earn money outside of Java and outside the city of Yogyakarta. However, in 1982 Reyog Puppet is raised again to entertain the local community led by Mr. Bandi (late), with Mr. Jasum Hadisunarno builder. Initiative to perform a re-Reyog Puppet, because the initiative of the former dancer and a former board, namely Mr. Pawiro and Mr. Adi. The form of presentation as it used no renewal until 1986.
c. The period 1986 - 2010 (Phase 3)
In 1986 the traditional art Reyog Puppet experienced leadership turnover, Mr. Warsito A. Md, a resident of the Hamlet Mangiran. Warsito father was a teacher of dance and performing arts in the musical art of the ISMS (High School Karawitan Indonesia). in 1986 this is the art Reyog Wayang Puppet Reyog named "Kridha Beksa Lumaksana". The name comes from Kridha Beksa Lumaksana Warsito personal inspiration. The name has a meaning Kridha Beksa Lumaksana Kridha means moving, Beksa means dancing, Lumaksana means walking. So, Kridha Beksa Lumaksana is a walking dance movements. Since having a name Reyog Puppet Kridha Beksa Lumaksana the traditional arts Reyog Puppet began gradually - gradually make progress in terms of form of presentation. This is meant to be better known and liked by the people in both communities in Hamlet Mangiran and Society in Yogyakarta in general. Since having the name, the traditional art Reyog Puppet Kridha Beksa Lumaksana often get the job / response.
According to Mr. Adi a dancer as well as the elder Hamlet Mangiran, Reyog Puppet illustrates two rows of soldiers who will go to war. The number of dancers on Reyog Puppet is approximately 24 people, while the character is taken from the Ramayana and the Mahabharata story (interview, March 9, 2010). Figures - puppet figures are taken from the Ramayana story is Janaka - Cakil, (red monkey) - Buto, (blue monkey) - Buto, (green monkey) - Buto, (yellow monkey) - Buto, Hanuman - Kumbakarna. The figures - figures taken from the Mahabharata fiber is Burisrawa - Sentyaki, Ghatotkacha - Suteja, Antareja - Balarama. Grooming and clothing used in Puppet Reyog are similar to those worn in wayang wong. Rows in Reyog Puppet is equipped with Batak as pengarep figures, two figures penurung banner as the flag bearer and carrier of red and white flag, as well as four dancers carry banners. Figures Penthul Bejer although not included in the ranks but its existence is very important, because it serves to bring the song as a stuffing of dhodhog accompaniment. Reyog Art Wayang puppet tells of the battle scenes. Puppet Art Reyog this, first in the show is done by ditanggap nanggap / mbarang, or with a run to move - move from house to house offering to the people who wanted perceive the art. Place this Wayang performances Reyog done anywhere and anytime. For example in the field, on the home page, or customize the site as you wish.
The number of dancers can be reduced or increased according to need, the most important in this Puppet Reyog no main character or Pengarep Batak. Pengarep role in addition to leading the movement as well as leaders in the movement pattern of the floor.Direction of the floor patterns that the dancers will go through depends on the agreement between Pengarep Pengarep right and left.
b. Year period 1982 - 1986 (Phase 2)
Puppet Art Reyog this was down for the year 1980 - 1982, this happens because the dancers and arts leaders are working to find money for the necessities of life. There is work to earn money outside of Java and outside the city of Yogyakarta. However, in 1982 Reyog Puppet is raised again to entertain the local community led by Mr. Bandi (late), with Mr. Jasum Hadisunarno builder. Initiative to perform a re-Reyog Puppet, because the initiative of the former dancer and a former board, namely Mr. Pawiro and Mr. Adi. The form of presentation as it used no renewal until 1986.
c. The period 1986 - 2010 (Phase 3)
In 1986 the traditional art Reyog Puppet experienced leadership turnover, Mr. Warsito A. Md, a resident of the Hamlet Mangiran. Warsito father was a teacher of dance and performing arts in the musical art of the ISMS (High School Karawitan Indonesia). in 1986 this is the art Reyog Wayang Puppet Reyog named "Kridha Beksa Lumaksana". The name comes from Kridha Beksa Lumaksana Warsito personal inspiration. The name has a meaning Kridha Beksa Lumaksana Kridha means moving, Beksa means dancing, Lumaksana means walking. So, Kridha Beksa Lumaksana is a walking dance movements. Since having a name Reyog Puppet Kridha Beksa Lumaksana the traditional arts Reyog Puppet began gradually - gradually make progress in terms of form of presentation. This is meant to be better known and liked by the people in both communities in Hamlet Mangiran and Society in Yogyakarta in general. Since having the name, the traditional art Reyog Puppet Kridha Beksa Lumaksana often get the job / response.