angguk

Asal-usul

Kesenian Angguk merupakan satu dari sekian banyak jenis kesenian rakyat yang ada di Provinsi Daerah Istimewa Yogyakarta. Kesenian angguk berbentuk tarian disertai dengan pantun-pantun rakyat yang berisi berbagai aspek kehidupan manusia, seperti: pergaulan dalam hidup bermasyarakat, budi pekerti, nasihat-nasihat dan pendidikan. Dalam kesenian ini juga dibacakan atau dinyanyikan kalimat-kalimat yang ada dalam kitab Tlodo, yang walaupun bertuliskan huruf Arab, namun dilagukan dengan cengkok tembang Jawa. Nyanyian tersebut dinyanyikan secara bergantian antara penari dan pengiring tetabuhan. Selain itu, terdapat satu hal yang sangat menarik dalam kesenian ini, yaitu adanya pemain yang “ndadi” atau mengalami trance pada saat puncak pementasannya. Sebagian masyarakat Yogyakarta percaya bahwa penari angguk yang dapat “ndadi” ini memiliki “jimat” yang diperoleh dari juru-kunci pesarean Begelen, Purworejo.

Tarian angguk diperkirakan muncul sejak zaman Belanda1, sebagai ungkapan rasa syukur kapada Tuhan setelah panen padi. Untuk merayakannya, para muda-mudi bersukaria dengan bernyanyi, menari sambil mengangguk-anggukkan kepala. Dari sinilah kemudian melahirkan satu kesenian yang disebut sebagai “angguk”. Tari angguk biasa digelar di pendopo atau di halaman rumah pada malam hari. Para penontonnya tidak dipungut biaya karena pertunjukan kesenian angguk umumnya dibiayai oleh orang yang sedang mempunyai hajat (perkawinan, perayaan 17 Agustus-an dan lain-lain).

Lengger Dance

Lengger Dance

Traditional art-calung Lengger grow and develop in this region. As the name implies, the dance-calung Lengger consists of Lengger (dancer) and calung (bamboo gamelan), dance movements are very dynamic and lively rhythm calung. Among the typical dance movements include movements Lengger geyol, gedheg and throwing sampur. Lengger first dancer is a man who dressed like a woman, now the dancers are generally beautiful woman while her male dancers only as a complementary clown that serves to enliven the atmosphere, usually present in mid-clown show.

Number of dancers Lengger between 2 to 4 people, they have to dress up in such a way that looks very attractive, hair bun head, neck to upper chest are usually open, or scarves are usually worn around sampur dibahu, wearing cloth / jarit and Stagen. Lengger dance to the rhythm of a typical Banyumasan lively and dynamic dominated by the movement - the movement of the hips so it looks very cute and attractive.

Ebeg Dance

Ebeg Dance

Ebeg an art form of dance that uses puppets Banyumas horse made of woven bamboo.Ebeg dance in Banyumas describe warriors who were riding a horse. Dance movement which describes the bravery exhibited by players Ebeg. It is estimated that this Ebeg art has existed since ancient times exactly when humans began to embrace the flow of animism and dynamism. One of the corroborating evidence in the ranks Ebeg old art is the existence of the forms in trance (trance) or wuru. Forms like this is characteristic of art that was born in the days of animism and dynamism.

Attraction
In a dish Ebeg going through a unique scene that usually placed in the middle of the show.Attractions such as are known in terms mendhem Banyumasan language (in trance).Players will start doing trance and unique attractions. Form of attractions such as: eating Beling or broken glass, eat immature leaves, eating chicken meat that is still alive, act like monkeys, snakes, and others.

Musical instrument
Equipment used for accompaniment gendhing include drums, saron, kenong, gongs and trumpets .. To accompany this dance is always used songs like rhythm Banyumasan ricik-ricik, gudril, blendrong, lung gadung, aware, mindful, (crebonan), and others. A unique, while performances, while trance (trance / mendem) of the players used to eat broken glass (glass) or other sharp items, peeled coconut with teeth, eat rice from the stalk, dhedek (bran), embers, In the show, accompanied ebeg by gamelan, commonly called bendhe.

Recent Developments
Due to cultural development in Banyumas and orentasi an art show also that in the early stages is a means of ritual has bergesear on the performing arts business, improvement in Ebeg was immediately performed. Structuring the Ebeg which may include forms of accompaniment, refining the movement of dance, costume or properties is mostly done by the artist Banyumas.

Piring Dance

Plate or in the language of dance called the Dance Piriang Minangkabau, is one type of Dance which originated from the Minangkabau of West Sumatra called the plate because the dancers dance while dancing to bring a plate. At first the old days of dance dishes created to give offerings to the gods when it enters the harvest, but after the arrival of Islam in Minangkabau dance to the offering plate is no longer the gods but is intended for crowd majlis-majlis attended by kings or princes country, dance plate also used in other crowded events such as the wedding ceremony. Regarding the plate appearance of the first dance is not yet known for sure, but it is believed that the dance dish has been in the Malay islands since more than 800 years ago. Dance is also believed to have existed plate in western Sumatra and growing up in the days of Sri Wijaya. After the emergence of Majapahit in the 16th century that dropped the Sri Wijaya, has pushed the plate dance developed to developing countries along with the other Malay people sri runaway victory at the time. In the art of dance dish can be done in different ways or later, it all depends on where the place or neighborhood where the dance was performed dish. But not so many differences of Dance Dishes made from one place to another place, especially regarding the concept, approach and style offerings. As a whole, to understand how a dish is served Dance, below is the sequence or arrangement of an offering.

1. The initial preparation.

It is customary that an offering should be commenced with art supplies neatly. Before a dedication was held, in addition to exercises to achieve proficiency, the dancers dance Plate penafasan should also have a good workout so as not to mess while making offerings. Toward the day or time of the offering, the dancers dance Plate must ensure that the plates on which they will use are in good condition. The plate is cracked or chipped should be replaced with another, so as not to endanger yourself or the people crowded to watch. When these dancers also have to decide the number of plates to be used.

Immediately after the offering ends Silat birdlime in the presence of the bridal couple, the plates will be arranged in various shapes and arrangement in front of the bridal couple to follow the amount required by the dancers dance and fitness Plate region. In the same period, the dancers dance has been prepared dishes prepared with typical ring sheathed two forms, namely one on the right hand and one finger on the left hand finger. These dancers then hold a plate or flat that is not cracked or chipped.

2. Venturing dance

Plate dance will be preceded with tambourine and gong played by the musicians. Dancers will begin Dance Dish with 'worship bride' as much as three times as a sign of respect for the bride that is; worship worship bride's hand in front of the bride's hand to the left of the bride worship on the right hand

3. When Dancing

Finished with three ranks worship brides, dancers will kick off the dance Dance Plate by reaching the plate in place in front of him and waved his hand to the right and left follow muzik played unison. Dancers will then stand up and first tread or trample one by one piriring-plate that had been developed earlier as he was heading toward the bridal couple in front of him. In general, the dancers dance Plate will ensure that all the dishes that have governed the dipijak. After all the dishes done dipijak, Plate Dance dancers will step stride with the original tread plates that had been developed earlier. Dancers should not postpone the wedding. In the same period will berterusan dihayun both hands to the right and left, while producing the sound 'ting ting ting ting ... ....' Results beat of the radius of the ring of dancers that have disarung view of the bottom plate. Occasionally, both hands are placed telapan dipusing-plate will worry about up and down as well as if confusing musingkannya overhead

4. Ending Dance

A dish of Dance Plate by one dancer will be terminated if all the plates had been climbed and the dancers close the grain by closing worship or worship the bride once again. Also end with a closing worship worship three brides with the following composition; worship bridal bridal worship right hand left hand right hand before the wedding worship

Plate Dance Piring Procession

The plate is said to create a dance of "beautiful women beautifully dressed, and walk with gentle courtesy and orderliness when carrying plates of delicious food to be offered to the gods as a dish. These women will dance while walking, and in the same period showed their skills to bring dishes containing these foods. " The arrival of Islam has brought changes to the trust and the concept of this dance. Dance Plate no longer sacrificed to the gods, but for the majlis-majlis crowd which attended jointly by the kings or princes country.

The beauty and uniqueness of Dance Plate has led to the expansion of the offering is among the commoners, namely dimajlis-majlis marriages involving persandingan. In this case, the concept is still a form of the equation, namely the wedding couple is still considered the king of the 'King Day' and worthy of dedicated Dancing Plate in front of him when biting. Dance The plate has a major role in the marriage customs of the Minangkabau. Basically, the offering plate sesebuah Dance in majlis-majlis marriage is for entertainment purposes only. However, these offerings may play a role much better than this. Dance Dedication Plate in the majlis sesebuah perkawinnan may dirasai role by four parties, namely: the bridal couple to the host to the people crowded to the dancers themselves.

In general, clothes are colorful and beautiful is it mandatory for a dance. But on Dance Dish, is enough to clad Malay and bersamping only. Color shirt is also up to the dancers themselves to decide. However, bright colors like red and yellow is often the choice for dancers Dance Plate kerana it more easily viewed by the audience.

Musical instruments used to accompany dance Plate, with enough punch and Gong Rebana only. Gong is very important blow kerana he will be a guide to determine the steps to the dancers and Dance plate motion. In general, a collection of Rebana that accompanies and drives along the bridal couple were given the responsibility to accompany the offering of Dance Plate. However, in certain circumstances Plate Dance may also accompanied by other instruments such as Talempong and drum. That's an article that discussed the art of dance dishes from western Sumatra or Tanang Minangkabau. Hopefully the original dance of the Cultural Arts Minangkabau land can be maintained by the younger generation so that it can remain stable and not extinct. music instrument / gamelan consists of: Talempong, drums, tambourines, lutes, arumba, sampek and kolintang.

TARI APLANG

Tari Aplang merupakan tari kerakyatan yang berasal dari Banjarnegara, Jawa Tengah. Tari Aplang merupakan suatu keksenian yang awalnya digunakan sebagai media penyebaran agama Islam. Oleh karena itu tari Aplang memiliki ciri khas yang tidak terlepas dari unsur islami, diantaranya iringan rebana, bedug dan beberapa syair puji-pujian yang dilakukan menggunakan bahasa Arab dan Jawa.
Tari Aplang biasanya dipentaskan oleh sedikitnya lima orang penari putra atau putri sampai jumlah yang tidak bisa ditentukan. Di sebut Tari Aplang karena gerakan tari Aplang mengadaptasi gerakan silat dengan ndaplang yang dibubuhi dengan gerakan lain agar terlihat lebih indah dan luwes.
Dalam perkembangannya Tari Aplang mengalami beberapa modifikasi baik dalam gerakan, kostum dans egi teknisnya. Gerakanya bersifat dinamis dan luwes sehingga terkesan menarik. Kostum Tari Aplang berupa baju putih, merah muda, biru lengan panjang dari bahan sejenis diamond yang terkesan indah dan meriah. Dilengkapi dengan topi yang dipakai pada sanggul penari, dan dilengkapi dengan slempang yang dililitkan menyamping pada badan dengan warna yang disesuaikan dengan warna hijau, juga dilengkapi dengan kain jarit yang menutupi celana tayet kira-kira setinggi lutut. Alas kaki yang digunakan yaitu gapyak yang dapat menimbulkan kesan agamis. Serta penari juga menggunakan kacamata agar terkesan lebih menarik.
Bapak Mudianto merupakan pelatih tari Aplang.

Lenggeran

Lenggeran adalah seni tradisional dari daerah Banyumas yang terdiri atas seni tari dan dialog. Jenis kesenian rakyat ini biasanya di gelar di lapangan terbuka atau dihalaman rumah orang yang mempunyai hajatan. Tarian ini terdiri dari minimal 2 orang penari lengger ( wanita ) dan ditambah 1 orang badut ( laki-laki) yang muncul saat pertengahan pertunjukkan. Musik pengiring tari Lengger adalah calung Banyumas yang sebagian besar alat ini terdiri dari gamelan. Di akhir pertunjukkan biasanya penonton dibolehkan untuk ikut menari dengan lengger sambil memberikan saweran kepada penari lengger tersebut.

Sebenarnya pergelaran lengger secara utuh itu sama saja seperti seni drama tradisional yang ditambah seni tari dan dialog, namun yang menjadi pusat perhatian hanya seni tarinya saja.

Urutan dari adegan pertunjukkan lengger tersebut adalah :

a. babak lenggeran (perkenalan)

b.babak badutan (permasalahan awal dengan lakon)

c.babak jaran calung (permasalahan yang meruncing/krisis)

d.babak baladewan (penyelesaian)

Semua adegan-adegan tersebut mempunyai nilai-nilai yaitu : estetika, kepercayaan, perjuangan, kejujuran,, kemanusiaan dan nilai-nilai ketaatan kepada ruh para leluhur. Jaman dahulu, lengger mempunyai kesan yang kurang baik karena sering disamakan dengan tari ronggeng, tapi jaman sekarang sudah berubah, bahkan banyak sekali  bermunculan grup-grup lengger profesional yang biasanya diundang dalam acara-acara resmi. Grup-grup lengger jaman sekarang mempunyai struktur organisasi yang bagus. Ada pembina, ketua yang tugasnya memimpin kegiatan latihan, gladi resik dan tata pementasan.

tari nusantara

TARI BLANTEK DARI TANAH SUNDA

Tari Blantek merupakan bentuk tari tunggal putri. Tari ini menggambarkan kehidupan masyarakat Jawa Barat yang setiap tahunnya mengadakan upacara adat sedekah bumi sebagai lambang ucapan syukur terhadap Tuhan Yang Maha Esa atas diberikannya pertanian yang subur. Pernyataan tersebut diungkapkan melalui gerak-gerak tari yang dinamis dan indah oleh para gadis yang penuh dengan keceriaan dan harapan baru.

Penyajian Tari Blantek  membutuhkan waktu kurang lebih 7 menit . Adapun unsur-unsur yang mendukung tari Blantek ini adalah : gerak, iringan, dan tata rias serta busana.

1. Gerak

Perbendaharaan tari Blantek adalah  berupa gerak-gerak yang lincah dan dinamis penuh dengan keceriaan. Adapun  nama-nama gerak tersebut adalah :

1. mincit encot maju

2. lontang

3. ukel selut

4. ndaplang geser

5. egolan

6. enjeran

7. ndaplang egol

8. obah bahu

9. selutan tak tak

10.enjeran

11.silat

12.sembada encot

13.engkrang

2. Tata rias dan busana

Tata rias dan busana yang digunakan pada tari Blantek adalah dengan menggunakan rias cantik (rias panggung yang berfungsi untuk mempertegas wajah penari). Adapun busana dan aksesoris yang digunakan adalah sebagai berikut :

1. baju

2. kain sarung

3. stagen

4. kalung kace

5. boro

6. sampur

7. topi kepak

8. penutup sanggul

9. anting

10.slepe

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